 |
|
March 1980 |
|
|
|
|
|
Pippin
|
 |
|
Book by
Roger O. Hirson |
Music and Lyrics by
Stephen Schwartz |
|
|
Pippin
is a musical about a young man who takes
the audience on an unpredictable and
crazy journey through war, politics, and
love as he searches for "complete
fulfillment". |
|
|
 |
|
May 1980 |
|
|
|
|
|
Hello Dolly!
|
 |
|
Book by
Michael Steward
|
Music and Lyrics by
Jerry Herman
|
|
|
In this beloved Broadway
musical Dolly Levi, a New York-based
matchmaker and widow has found herself
in love with a
"half-a-millionaire" Yonkers
merchant named Horace Vandergelder. She
proceeds to weave a web of romantic
complications involving him, his two
clerks, a pretty milliner, and her
assistant.
|
|
|
 |
|
October 1980 |
|
|
|
|
|
The Fantasticks
|
 |
|
Lyrics and Book by
Tom Jones
|
Music by
Harvey Schmidt
|
|
|
The Fantasticks is
the longest-running musical in the
world. The story is very simple, a
playful variation of the Romeo and
Juliet theme, but the style of the show
is quite sophisticated. Melodic,
humorous, at times sentimental, it
manages to be both simple and complex at
the same time.
|
|
|
 |
|
May 1981 |
|
|
|
|
|
West Side Story
|
 |
|
Book by
Arthur Laurents |
|
 |
 |
|
Music by
Leonard Bernstein
|
Lyrics by
Stephen Sondheim
|
|
|
This modern day version of
Romeo and Juliet is played against the
stark reality of New York City gang
life. The now famous Bernstein-Sondheim
score, along with Arthur Laurentās
dramatic script, combines all of the
elements of Shakespeareās classic
tragedy, to create one of the most
moving and poetic Broadway musicals of
all time. An interesting side light to
the production at the Playhouse was the
inclusion of several Memphis area
actors. In order to give an air of
reality to the show, all of the adult
roles were played by adults. |
|
|
 |
|
November 1981 |
|
|
|
|
|
To Kill a
Mockingbird
|
 |
|
Book by
Harper Lee |
Play by
Christopher Sergel |
|
|
Based on the novel by
Harper Lee, this dramatization by
Christopher Sergel focuses on Scout, a
young girl in a quiet southern town. She
ends up experiencing dramatic events
which will affect the rest of her life.
The play deals with racism and standing
up for what one believes is right. |
|
|
 |
|
March 1982 |
|
|
|
|
|
A Day in the
Courtroom
A Nite in the Lighthouse
|
 |
|
Trial by Jury:
Libretto by W. S. Gilbert
Music by Sir Arthur Sullivan
|
Black Comedy:
by Peter Shaffer |
|
|
A Day in the Courtroom
A Nite in the Lighthouse featured
two separate one act plays: Trial by
Jury and Black Comedy. Trial
by Jury is a short and humorous
Gilbert and Sullivan operetta. Black
Comedy, written by Peter Shaffer,
reverses light and dark so that the
actors and audience see different things
at different times. |
|
|
 |
|
May 1982 |
|
|
|
|
|
The Wiz
|
 |
|
Music and Lyrics by
Charlie Smalls |
Based on book by
William F. Brown |
|
|
The Wiz is a
musical version of The Wizard of Oz,
with music and lyrics by Charlie Smalls.
Dorothy's adventures in the Land of Oz
have been set to music in a dazzling,
lively mixture of rock, gospel, and soul
music. |
|
|
 |
|
December 1982 |
|
|
|
|
|
Star Spangled
Girl
|
 |
|
by Neil Simon |
|
|
This Neil Simon play is a
fast moving, hilarious comedy. It tells
the story of two earnest young men
struggling to put out a
"protest" magazine, and the
all-American girl who moves next door
and manages to send both of them into a
romantic tail-spin. |
|
|
 |
|
March 1983 |
|
|
|
|
|
Joseph & The
Amazing Technicolor Dreamcoat
|
 |
|
by Andrew Lloyd
Webber and Tim Rice |
|
|
Joseph and the Amazing
Technicolor Dreamcoat, the first
collaboration between Andrew Lloyd
Webber and Tim Rice, tells the story of
a young man named Joseph living in the
land of Canaan. While the rest of his
brothers are forced to wear sheepskin,
he struts around in a fabulous
rainbow-colored coat, a gift from his
adoring father. |
|
|
 |
|
October 1983 |
|
|
|
|
|
The Diviners
|
 |
|
by James Leonard
Jr. |
|
|
The Diviners is the
story of a disturbed young man and his
friendship with a disenchanted preacher
in southern Indiana in the early 1930's. |
|
|
 |
|
April 1984 |
|
|
|
|
|
Shenandoah
|
 |
|
Book by
James Lee Barret
Peter Udell
Phillip Rose |
Music by
Gary Geld |
 |
|
Lyrics by
Peter Udell |
|
|
This dramatic and powerful
saga revolves around a strong-willed
Virginia farmer who tries to keep his
family neutral during the Civil War.
Their story is a heart-warming and
heart-rending portrayal of the upheaval
that left wounds on the land and people. |
|
|
 |
|
December 1984 |
|
|
|
|
|
Greater Tuna
|
 |
|
by Jaston
Williams, Joe Sears, and Ed Howard |
|
|
This hilarious small-town
comedy stars the citizens of Tuna,
Texas. There are twenty wild characters
in this show, all played by only two
actors! Greater Tuna proves to be
a tour-de-force of quick-change
artistry, both of costumes and of comic
characterizations. |
|
|
 |
|
May 1985 |
|
|
|
|
|
On the Twentieth
Century
|
 |
|
Book and Lyrics by
Adolph Green
Betty Comden |
Music by
Cy Coleman |
|
|
Whether performed with
elaborate scenery or on a simple scale,
this brilliantly comic musical appeals
to audiences everywhere. In this play, a
flamboyant theatre producer, a
tempestuous star, and a host of totally
outrageous fellow passengers tap dance
their way through one wacky situation
after another on a chaotic and hilarious
train ride from Chicago to New York
City. |
|
|
 |
|
November 1985 |
|
|
|
|
|
Monday After the
Miracle
|
 |
|
by William Gibson |
|
|
This stirring drama,
written by William Gibson, is the sequel
to the critically acclaimed story of
Helen Kellerās life, The Miracle
Worker. The action of the play takes
place in Boston, Massachusetts,
seventeen years after the events of The
Miracle Worker. The Poplar Pike
Playhouse was the first theatre to
present Monday after the Miracle
in the Memphis area. |
|
|
 |
|
May 1986 |
|
|
|
|
|
Celebration '86
|
 |
|
Written and Directed
by
E. F. Bluestein |
|
|
Celebration '86 is
an original show featuring highlights
from Poplar Pike Playhouse musicals of
1976-1985. The show features guest
appearances by alumni from past PPP
productions. Included on the
"starlist" are Allison Hall,
Jim Coffman, Anne Early, Dan McCleary,
Jenny Conley, Jon Koski, and Susan
Marshall. |
|
|
 |
|
November 1986 |
|
|
|
|
|
The Foreigner
|
 |
|
by Larry Shue |
|
|
The Foreigner is
the story about Charlie Baker, a
pathologically shy young Englishman who
is overcome with fear at the thought of
making conversation with strangers. He
travels with his friend to a fishing
lodge in Georgia, U.S.A. Not wishing to
converse with the loud southerners,
Charlie feigns that he speaks no
English. |
|
|
 |
|
May 1987 |
|
|
|
|
|
Man of La Mancha
|
 |
|
Music by
Mitch Leigh |
Lyrics by
Joe Darlon |
Book by
Dale Wasserman |
|
|
This classic musical is
the charming and gallant reincarnation
of the Don Quixote legend. The
imaginative storyline creates a highly
theatrical experience. "The
Impossible Dream" is one of many
beautiful tunes that complement the
equally poetic script. |
|
|
 |
|
November 1987 |
|
|
|
|
|
And They Dance
Real Slow in Jackson
|
 |
|
by Jim Leonard,
Jr.
|
|
|
And They Dance Real
Slow In Jackson is a powerful,
haunting memory play by one of the
American theater's most impressive
writers. The play offers a vivid and
deeply affecting account of the agonies
inflicted on a young crippled girl
growing up in a small Indiana town.
|
|
|
 |
|
March 1988 |
|
|
|
|
|
The Mystery of
Edwin Drood
|
 |
|
by Rupert Holmes
|
|
|
The Poplar Pike Playhouse
was the first theatre in the Mid-South
to present The Mystery of Edwin Drood.
Audiences delighted in being able to
actually help solve the mystery as they
voted each night on
"who-done-it". Their solution
determined the end of the play. Drood
was the 1986 Tony Award Winner for Best
Musical, Best Book, Best Score, and Best
Orchestration.
|
|
|
 |
|
November 1988 |
|
|
|
|
|
On the Verge
|
 |
|
by Eric Overmyer |
|
|
Eric Overmyerās On
the Verge tells the story of three
19th century lady explorers who leave
their mundane, Victorian lives behind to
embark on a safari in the jungles of
Africa. The three women adventurers
encounter many bizarre artifacts and
characters on the safari that lead them
through time and space. |
|
|
 |
|
|